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Title: Alfred and William Waud Collection
The London-born Wauds' specialty was producing drawings--from quick sketches to finished works--of
places, people, and events assigned to them by editors. These drawings were the basis for wood engraved illustrations
in the periodicals published by their employers. Alfred Waud was hired by the New York Illustrated News in 1860 and he
remained with the News for nearly two years covering the opening months of the Civil War before joining the staff of
Harper's Weekly in early 1862. William Waud worked as a special artist during the Civil War for Frank Leslie's Illustrated
Newspaper. The Waud Collection presents a visually fascinating history of America in the mid-19th century, covering
visually subjects as diverse as the reconstructed South, and the townships that dotted both banks of the nation's largest
Contact: Historic New Orleans Collection; email@example.com
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Title: America at War
The America at War digital collection includes a significant number of artifacts contributed by members of the Teaching American History in Louisiana (TAHIL) partnership. TAHIL providers include the Louisiana State Archives, Louisiana State Museum, The Historic New Orleans Collection and Tulane University Library Special Collections.
Title: America Between the Wars 1920 - 1940
The America between the Wars, 1920-1940 primary source collection includes a significant number of artifacts contributed by members of the Teaching American History in Louisiana (TAHIL) partnership. TAHIL providers include the Louisiana State Archives, Louisiana State Museum, The Historic New Orleans Collection and Tulane University Library Special Collections.
Title: Antebellum Period
Louisiana's antebellum history is revealed through a variety of artifacts that document a variety of critical topics in American History.
Title: Baby Boom America Collection
The Baby Boom America Collection provides a unique look at the lifestyles, challenges and triumphs of the turbulent post-World War II period. Artifacts chronicle the Civil Rights struggle in Louisiana, the economic and social challenges faced by the state, and the role played by Louisiana soldiers during the Vietnam War.
Title: Charles L. Franck and Franck-Bertacci
Charles L. Franck was a commercial photographer in New Orleans whose individual career and successors covered all but the first decade of the 20th century. In 1955, his studio was purchased by Albert Bertacci, who continued to operate within the same scope of assignments as Franck had done. Tens of thousands of photographs and negatives from the Franck and Franck – Bertacci studios, held at The Collection, chronicle the face and growth of Louisiana, and New Orleans in particular, during the 20th century. The change of the city through its photographed character focuses on major industries (the port, construction, transportation) during a period of racial integration, labor disputes and urban growth. Social and cultural events – Mardi Gras, weddings, private parties all feature in the collection as well. As the Franck Collection approaches the present day, the photographs of major building projects (the Louisiana Superdome, bridges across the Mississippi River, nuclear power plants and petrochemical complexes) touch on issues of suburban and exurban expansion, and environmental issues.
Title: Clarence John Laughlin Photograph Collection
The Historic New Orleans Collection is the major repository for the photographs and writings of pioneer surrealist and experimental photographer Clarence John Laughlin (1905–1985), a native of Louisiana. Included in this digital collection are master prints, work prints, unique collages, and color experiments, as well as selected images by other photographers. The Laughlin Collection chronicles an active career that stretched from the early 1930s through the late 1960s. Laughlin’s subjects include architecture and cemeteries of New Orleans, historic plantation architecture of southern Louisiana and the lower Mississippi valley, American Victorian architecture, contemporary architecture, interpretive photographic renditions of sculpture, and several series of symbolic photographs that use the camera to probe the subconscious mind.
Contact: The Historic New Orleans Collection
Title: Free People of Color in Louisiana: Revealing an Unknown Past
Free people of color--people of African descent who lived in colonial and antebellum America and were born free or escaped the bonds of slavery before it was abolished in 1865--made significant contributions to the economies and cultures of the communities in which they lived. This collection brings together materials from LSU Libraries Special Collections, The Historic New Orleans Collection, the Louisiana Research Collection in Tulane University Special Collections, the Historical Center at the Louisiana State Museum, and the Louisiana Division of the New Orleans Public Library.
Contact: LSU Libraries Digital Services; firstname.lastname@example.org
Title: Gulf South Decorative and Fine Arts Database
The Classical Institute of the South is dedicated to identifying and documenting fine and decorative art objects in the Gulf South and making that information available to all. We believe that objects are dynamic, provocative, and vital to understanding the past. Since the first Gulf South Field Survey in 2011, fellows and staff of the Classical Institute of the South have cataloged over 1,000 objects in private collections dating from the 18th century through the Civil War. The survey spans Alabama, Louisiana, and Mississippi, and we are continually expanding our reach throughout the region. As cataloging efforts continue, new information and images will be added to this database in order to draw attention to the objects and to the research possibilities that they present.
Contact: The Historic New Orleans Collection; email@example.com; 504-523-4662
Title: Huey P. Long Collection
The Huey Long Digital Collection contains original documents concerning depression-era Louisiana and detailing Huey P. Long's "Share Our Wealth" program.
Title: John T. Mendes Photograph Collection
Between 1916 and the mid-1930s, John Tibule Mendes (1888-1965) was a consistent and curious observer of life in the Crescent City. His collection offers a vivid impression of New Orleans during the roaring '20s.
Contact: The Historic New Orleans Collection; firstname.lastname@example.org
Title: Louisiana Decoys and Wildfowl Artifacts
The Historic New Orleans Collection's Anne and Dick Stephens Collection of Louisiana Decoys and Wildfowl Artifacts includes more than 300 hand-carved decoys and other works of art by southeastern Louisiana craftsmen. The collection celebrates the talent and dedication of the artists who devoted themselves to this region's distinct carving traditions.
Contact: The Historic New Orleans Collection;
Title: Louisiana Purchase and Louisiana Colonial History
The Louisiana Purchase and Louisiana Colonial History primary source collection includes a significant number of artifacts contributed by members of the Teaching American History in Louisiana (TAHIL) partnership. Louisiana's colorful French and Spanish colonial history is documented by original maps, paintings, personal correspondence and government documents.
Title: Maps from The Historic New Orleans Collection
The Historic New Orleans Collection has extensive holdings of significant manuscript and printed maps. Acquisition was begun by The Collection's founder, General L. Kemper Williams, in the 1920s and '30s. Since then considerable additions have been made including a wide range of maps dating from early colonial times to the present.
Title: Painting in Louisiana From The Historic New Orleans Collection
The Painting in Louisiana from The Historic New Orleans Collection consists of
several hundred paintings (including oils and watercolors) by Louisiana and Southern
artists, owned by The Historic New Orleans Collection. The paintings held by The
Collection have a pronounced historical interest, documenting persons, places and
events in Louisiana and by implication, the Gulf South. As a whole, the painting
collection at The Historic New Orleans Collection forms a visual narrative of the
origins and development of art and society in Louisiana.
Title: Reconstruction Through Progressivism Collection
The Reconstruction through Progressivism, 1865-1920 primary source collection includes artifacts contributed by members of the Teaching American History in Louisiana (TAHIL) partnership. TAHIL providers include the Louisiana State Archives, Louisiana State Museum, The Historic New Orleans Collection and Tulane University Library Special Collections.